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Features
March 21, 2016 /

Speed Art Museum
wHY Architecture
Louisville, Kentucky, USA

Located on historic Third Street, originally designed by Frederick Law Olmsted, as part of the University of Louisville’s Belknap campus, the Speed Art Museum is Kentucky’s oldest and largest art museum. The new addition by wHY Architecture includes a new North and South Building, a cinema, art park and a public piazza.

Articles
March 17, 2016 /

From Abandoned Train Sheds to Street Sport Mekkas: GAME Streetmekka Esbjerg

Merging former industrial buildings with gritty indoor urban sports environments, GAME Streetmekka Esbjerg is a new sports facility that aims to converge various disciplines within street sport under one roof. The new development joins its sister structure, GAME Streetmekka Copenhagen, as an alternative to some of Denmark’s more traditional sports facilities.

Features
March 14, 2016 /

Newport Street Gallery
Caruso St John
London, United Kingdom

Caruso St John’s long-awaited Newport Street Gallery opened its doors in London last autumn. Their latest creation is hard to fault - an elegant gem in the crown of London’s eclectic gallery scene.

Articles
March 10, 2016 /

What’s New on the Bookshelves March 2016

What’s New on the Bookshelves brings you the latest in architectural publishing. This month, you’ll find a beautiful collaboration between acclaimed Japanese architect, Kengo Kuma and photographer Erieta Attali as well as an examination of what it takes to create a book on architecture. Also, an in-depth look of the creative process of Zaha Hadid and a reflection on what the duty of architects really is. Finally, we’re bringing you the latest publication from powerhouse magazine, El Croquis, which looks at the work of French architect, Jean Nouvel, since he won the Pritzker Prize in 2008.

Features
March 07, 2016 /

Teatro Thalia
Gonçalo Byrne Arquitectos
Lisbon, Portugal

Designed by Gonçalo Byrne Arquitectos and Barbes Lopes Arquitectos, the newest iteration of Lisbon's centuries-old Teatro Thalia successfully marries the restoration of a complex history with a careful articulation of the theatre type.

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