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Features



Steven Holl Architects
Nanjing Sifang Art Museum

Nanjing, China


Photo © Iwan Baan

The new Nanjing Sifang Art Museum is sited at the gateway to the Contemporary International Practical Exhibition of Architecture in the lush green landscape of the Pearl Spring near Nanjing, China.


Photo © Iwan Baan


Photo © Iwan Baan

The museum explores the shifting viewpoints, layers of space, and expanses of mist and water, which characterize the deep alternating spatial mysteries of early Chinese painting. The museum is formed by a “field” of parallel perspective spaces and garden walls over which a light “figure” hovers. The straight passages on the ground level gradually turn into the winding passage of the figure above.


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan

The upper gallery, suspended high in the air, unwraps in a clockwise turning sequence and culminates at “in-position” viewing of the city of Nanjing in the distance. The meaning of this rural site becomes urban through this visual axis to the great Ming Dynasty capital city, Nanjing.


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan


Photo © Iwan Baan

The courtyard is paved in recycled Old Hutong bricks from the destroyed courtyards in the center of Nanjing. Bamboo, previously growing on the site, has been used in bamboo-formed concrete, with a black penetrating stain.

The museum has geothermal cooling and heating, and recycled storm water.


Photo © Iwan Baan


Photo © Iwan Baan

Limiting the colors of the museum to black and white connects it to the ancient paintings, but also gives a background to feature the colors and textures of the artwork and architecture to be exhibited within.

Perspective is the fundamental historic difference between Western and Chinese painting. After the 13th Century, Western painting developed vanishing points in fixed perspective. Chinese painters, although aware of perspective, rejected the single-vanishing point method, instead producing landscapes with “parallel perspectives” in which the viewer travels within the painting.


Sketch courtesy Steven Holl Architects


Model photo courtesy Steven Holl Architects


Drawing courtesy Steven Holl Architects
Site Plan


Drawing courtesy Steven Holl Architects
Ground Level Plan


Drawing courtesy Steven Holl Architects
Floating Gallery Plan


Drawing courtesy Steven Holl Architects
Section

Building area: 30,000 square feet (2,787 square meters)

Completed: 2011

Architects: Steven Holl Architects
Client: Nanjing Foshou Lake Architecture and Art Developments Ltd
Architects: Steven Holl Architects
Design architects: Steven Holl, Li Hu
Associate-in-charge: Hideki Hirahara
Project architects: Clark Manning, Daijiro Nakayama
Project team:
Joseph Kan
JongSeo Lee
Pei Shyun Lee
Tz-Li Lin
Richard Liu
Sarah Nichols
Associate architects: Architectural Design Institute, Nanjing University
Structural consultant: Guy Nordenson and Associates
Lighting design: L'Observatoire International

Photographed by Iwan Baan

Steven Holl Architects arcspace features

June 6, 2011

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