Renzo Piano Workshop - The Pierpont Morgan Library

Renzo Piano Building Workshop
The Morgan Library
New York, New York

"The idea of the central court came to me as I thought about the ways piazzas function in the Renaissance towns of Italy."
Renzo Piano

Photo: Michel Denancé.

The Morgan was founded by Pierpont Morgan in 1906 and made a public institution in 1924, serving as a scholarly research library as well as a full service museum.
The historical and architectural significant buildings of the Morgan were, the 1906 American Renaissance building by Charles McKim of McKim, Mead & White, the 1928 Annex, designed by Benjamin Wistar Morris and the nineteenth century townhouse, known as the Morgan House.

The new steel and glass structures by Renzo Piano preserves the historic buildings and creates three new modestly scaled pavilions. The pavilions are joined to the massive stone buildings by vertical slots of glass.

The new main entrance, facing Madison Avenue, leads to the heart of the design, a fifty-two-foot-high glass roofed courtyard, inserted between the J.P. Morgan house, the original library building and its annex, from which all other museum and library activities radiates.

Located in the largest of the three pavilions, the glass enclosed courtyard give visitors a view of the side and back of the McKim Building, never before publicly accessible, and of the neighborhood prewar apartment buildings through a towering window at the rear.
The other two pavilions, containing a gallery and offices, complete the three sides of the light-filled atrium.

Photo: Michel Denancé.

A café and a couple of ficus trees, planted in circular cuts in the wooden floor, give the courtyard a piazza like feeling. Glass stairs and an enclosed elevator connects to the upstairs landing and the Reading Room, located in a naturally lit space above the main entrance.

Photo: Michel Denancé.

Piano placed half the project below ground to gain additional space without eclipsing the historic buildings or compromising the neighborhood's architectural integrity.

An atrium below ground leads to the 280-seat Gilder Lehrman Hall, clad in panels of burnished red cherry wood, and a three-level subterranean vault, containing the Morgan’s extensive collection.

Photo: Michel Denancé.

The new exhibition spaces are located in both the new structure and the 1928 Annex.
The small 20 x 20 x 20’ cube gallery, between the library and the annex, is the only gallery that admits diffused daylight through the glass roof.

Photo: Michel Denancé.

New landscaping surrounding the Library enhances the fully enclosed, park like setting.

New space above ground: 69,400 square feet
New space below ground: 43,300 square feet

Completed: 2006

Client: The Morgan Library
Owner's representative: Paratus Group of New York
Architect: Renzo Piano Building Workshop
Associate architect: Beyer Blinder Belle

Renzo Piano Building Workshop arcspace features

Updated October 2, 2006





				Features
		Renzo Piano Building Workshop The Morgan Library New York, New York "The idea of the central court came to me as I thought about the ways piazzas function in the Renaissance towns of Italy." Renzo Piano Photo: Michel Denancé. The Morgan was founded by Pierpont Morgan in 1906 and made a public institution in 1924, serving as a scholarly research library as well as a full service museum. The historical and architectural significant buildings of the Morgan were, the 1906 American Renaissance building by Charles McKim of McKim, Mead & White, the 1928 Annex, designed by Benjamin Wistar Morris and the nineteenth century townhouse, known as the Morgan House. Photo: © 2006 Todd Eberle. The new steel and glass structures by Renzo Piano preserves the historic buildings and creates three new modestly scaled pavilions. The pavilions are joined to the massive stone buildings by vertical slots of glass. Photo: © 2005 Todd Eberle. The new main entrance, facing Madison Avenue, leads to the heart of the design, a fifty-two-foot-high glass roofed courtyard, inserted between the J.P. Morgan house, the original library building and its annex, from which all other museum and library activities radiates. Photo: © 2006 Todd Eberle. Located in the largest of the three pavilions, the glass enclosed courtyard give visitors a view of the side and back of the McKim Building, never before publicly accessible, and of the neighborhood prewar apartment buildings through a towering window at the rear. The other two pavilions, containing a gallery and offices, complete the three sides of the light-filled atrium. Photo: Michel Denancé. Photo: © 2006 Todd Eberle. Photo: Michel Denancé. A café and a couple of ficus trees, planted in circular cuts in the wooden floor, give the courtyard a piazza like feeling. Glass stairs and an enclosed elevator connects to the upstairs landing and the Reading Room, located in a naturally lit space above the main entrance. Photo: © 2006 Todd Eberle. Photo: Michel Denancé. Piano placed half the project below ground to gain additional space without eclipsing the historic buildings or compromising the neighborhood's architectural integrity. An atrium below ground leads to the 280-seat Gilder Lehrman Hall, clad in panels of burnished red cherry wood, and a three-level subterranean vault, containing the Morgan’s extensive collection. Photo: Michel Denancé. The new exhibition spaces are located in both the new structure and the 1928 Annex. The small 20 x 20 x 20’ cube gallery, between the library and the annex, is the only gallery that admits diffused daylight through the glass roof. Photo: © 2006 Todd Eberle. Photo: © 2006 Todd Eberle. Photo: Michel Denancé. New landscaping surrounding the Library enhances the fully enclosed, park like setting. Photo: © 2002 Renzo Piano Building Workshop and the Morgan Library Model Photo: © 2002 Renzo Piano Building Workshop and the Morgan Library Model Photo: © 2002 Renzo Piano Building Workshop and the Morgan Library Plan Photo: © 2002 Renzo Piano Building Workshop and the Morgan Library Section Photo: © 2002 Renzo Piano Building Workshop and the Morgan Library Section New space above ground: 69,400 square feet New space below ground: 43,300 square feet Completed: 2006 Client: The Morgan Library Owner's representative: Paratus Group of New York Architect: Renzo Piano Building Workshop Associate architect: Beyer Blinder Belle Renzo Piano Building Workshop arcspace features Updated October 2, 2006