By Peter Zumthor
In order to design buildings with a sensuous connection to life, one must think in a way that goes far beyond form and construction./Peter Zumthor
In this book Peter Zumthor expresses his motivation in designing
buildings that speak to our feelings and understanding in so many
ways and that possess a powerful and unmistakable presence and
The book is illustrated throughout with color photographs by Laura Padgett of Zumthor's new home and studio in Haldenstein.
To me, buildings can have a beautiful silence that I associate
with attributes such as composure, self-evidence, durability,
presence, and integrity, and with warmth and sensuousness as well;
a building that is being itself, being a building, not representing
anything, just being.
The sense that I try to instil into materials is beyond all rules of composition, and their tangibility, smell, and acoustic qualities are merely elements of the language we are obliged to use. Sense emerges when I succeed in bringing out the specific meanings of certain materials in my buildings, meanings that can only be perceived in just this way in this one building.
When I concentrate on a specific site or place for which I am going to design a building, when I try to plumb its depths, its form, its history, and its sensuous qualities, images of other places start to invade this process of precise observation: images of places I know and that once impressed me, images of ordinary or special places places that I carry with me as inner visions of specific moods and qualities; images of architectural situations, which emanate from the world of art, or films, theater or literature.
Last updated: December 19, 2013