Advertisement

Akron Art Museum
Coop Himmelb(l)au

June 10, 2002 /

Akron, Ohio, USA

akron_art_museum_1.jpg
Photo © Roland Halbe

The concept of museums has changed radically since the miracle chamber ("Wunderkammer") of Rudolf II and Ferdinand II in the 16th century.

The museum of today is no longer conceived only as an institution for the storage and display of knowledge, it is an urban concept. The museum of the future is a three-dimensional sign in the city which exhibits the content of our visual world.

Museums are no longer only exhibition spaces to display diverse forms of digital and analog visual information, but they also function as spaces that cater to urban experiences.

akron_art_museum_2.jpgPhoto © Roland Halbe

akron_art_museum_3.jpgPhoto © Roland Halbe

The building is broken up into 3 parts: the Crystal, the Gallery Box, and the Roof Cloud.

The Crystal serves as the main entry and operates as an orientation and connection space serving both the new and old buildings. It is a grand, flexible space that can also be used for banquets, arts festivals, and events hosted by outside organizations. The traditional idea of a banquet hall as an enclosed isolated event space dissolves away into a visible, public experience.

akron_art_museum_4.jpgPhoto © Roland Halbe

The energy necessary for lighting, heating and cooling the Crystal is minimized by strategic building massing and extensive daylighting. The mass and location of the Gallery Box and High Roof protect the southern oriented Crystal glazing from direct sunlight. At the same time the reflectivity of the façade material raises natural light levels in the Crystal and reduces the need to power artificial light sources.


akron_art_museum_5.jpg
Photo © Roland Halbe

The Crystal utilizes microclimate zones as a heating and cooling concept. These different zones are determined by analyzing the type and anticipated length of occupancy in various areas of the crystal and are conditioned through optimization of active and passive means. By eliminating the need to condition the entire air volume in the Crystal, and by focusing the energy used to condition the space in the areas where people are located, operating costs and energy use are significantly reduced.

akron_art_museum_6.jpg
Photo © Roland Halbe

akron_art_museum_7.jpg
Photo © Roland Halbe

akron_art_museum_8.jpg
Photo © Roland Halbe

akron_art_museum_9.jpg
Photo © Roland Halbe

The interior of the Gallery Box is an expansive space which has very few columns and is therefore extremely flexible for varying exhibition requirements. A large freight elevator brings oversized works to and from the storage areas and serves as a link between the loading dock and Gallery Box. Natural light is eliminated in the galleries so that it can be strictly controlled and damage from sunlight can be eliminated.

akron_art_museum_10.jpg
Photo © Roland Halbe

The floors of the Gallery Box and Crystal are composed of poured in place concrete slabs with water filled tubes that supply heating and cooling by changing temperature state of the massive floor slab. This radiant floor system is more efficient than simple forced air systems because it uses the mass of the concrete as a storage device which delivers a stable continuous source of heating and cooling. Forced air systems are much less efficient than radiant systems because of the extra work required by the system when occupancy loads suddenly change and create a far higher burden of use of non-renewable resources.

The Roof Cloud, which hovers above the building, creates a blurred envelope for the museum because of its sheer mass and materiality. It encloses interior space, provides shade for exterior spaces, and operates as a horizontal landmark in the city.

akron_art_museum_11.jpg
Photo © Roland Halbe

akron_art_museum_12.jpg
Photo © Roland Halbe

The concepts of museums have changed radically since the miracle chamber ("Wunderkammer") of Rudolf the founder ("Rudolf der Stifter") in the 15th century.

The museum of today is not any longer only the storage of knowledge, it is an urban concept. The museum of the future is a three-dimensional sign in the city, which transports the content of our visual world. There are nor longer showrooms, which show digital and analogue visual information in the most diverse forms, but also the spaces which cater to urban experiences.

This means that art should be able to flow out of the building and the city should be able to flow inside. This zone of leakage becomes a hybrid space where different kinds of people can meet and unexpected events can occur. Rather than going to the museum simply to look at art, visitors are welcomed to engage in artistic discourse, attend music and arts festivals, or maybe just hang out on their way elsewhere. Our design is therefore an urban connector as well as a destination point.

//Coop Himmelb(l)au

akron_art_museum_13.jpg
Drawing courtesy Coop Himmelb(l)auSouth High Street Elevation


akron_art_museum_14.jpg
Photo: Marcus Pillhofer

akron_art_museum_15.jpg
Photo: Marcus Pillhofer

akron_art_museum_16.jpg
Photo: Marcus Pillhofer

Facts about Akron Art Museum

Site Area:

8.370 m2
Floor Area: 6.045 m2

Architects:
Wolf D. Prix, Helmut Swiczinsky + Partner

Project Partner:
Michael Volk

Project Architect:

Angus Schoenberger

Project Team:

Florian Pfeifer
Mona Bayr
Mona Marbach
Marcelo Bernardi
Philip Vogt
Dan Narita
Lorenz Bürgi
Daniela Kobel
Mohamed Fezazi
Robert Haranza
Tom Wiscombe
Dionicio Valdez

Executive Architect:
Westlake, Reed, Leskosky, Cleveland, Ohio

Partner in Charge:

Ron Reed

Project Director:

Rich Keilmann

Structural Engineering:

B+G Ingenieure, Bollinger und Grohmann GmbH
De Simone Consulting Engineers

Project Associate:

Derrick Roorda

Mechanical Engineering:

IBE Consulting Engineers

Acoustical Engineering:

Arup Acoustics, New York, USA

Lighting Design:

George Sexton Associates

Client:

Akron Art Museum

Last updated: December 19, 2013

See also

Copyright 1999 - 2014 arcspace all rights reserved.