Prada Epicenter
OMA
Beverly Hills, California, USA
The Beverly Hills Prada Epicenter's most remarkable feature is the absence of a facade; the entire width of 50 feet along Rodeo Drive opens up to the street, without a traditional storefront or glass enclosure, inviting the public to enter the building.
Climatic separation is achieved through an environmentally responsive air-curtain system that profits from Los Angeles' pleasant weather. At night, an aluminum panel rises from the ground and hermetically seals the building.
Large display cones are embedded into the ground to reveal
merchandise without physically obstructing the open street
front.

Photo courtesy OMA
Inside the store, a large wooden stair forms a "hill," a
counterpart to the "wave'" in the New York store, that supports an
aluminum box floating above the entrance.
photo: arcspace
In the mirrored alcove beneath the stair-hill, the black and
white marble floor and the vitrines make reference to the first
Prada store from 1913 in Milan.

Photo courtesy OMA
The aluminum box is lined with a new material specifically
developed for Prada. Half matter, half air, the "sponge" provides a
porous artificial background for the merchandise and further
expands Prada's physical identity in its stores.
Photo: arcspace
The stair is framed with laminated glass fading from translucent
to transparent, seemingly shrinking or enlarging the store's size
in response to the presence of customers.
A roof structure spanning the entire third floor admits daylight
to the "scenario-space," where the merchandise is arranged on an
open, flexible floor plan.

Photo courtesy OMA
Roller tables and media gates form part of an airport-like
display installation that draws reference to today's omnipresent
security procedures. The character of the space is further defined
by a mural of wallpaper that allows for simple but radical change
of the environment. A soft curtain provides a flexible enclosure
and privacy for VIP and personal shopping.
A series of experiential and service-oriented features enhances
both functioning and aura of the Prada stores. The dressing rooms
are equipped with "magic mirrors": a plasma screen invisibly built
into the large mirror surface that allows customers to see
themselves both from the front and the back at the same time. An
integrated time delay can even capture and replay movements. The
doors are made of Privalite glass that the customer can switch from
transparent to translucent and control the privacy of the dressing
room.
Equipped with RFID (radio frequency identity) antennas, the "garment closet" is able to register merchandize brought into the dressing room and display an inventory of icons on a touch screen. Here, the customer can request more specific information on the clothes, but also browse through alternative items of the collection. On the web-site, the garment closet has its virtual counterpart, the "web-closet," that contains a history of all pieces tried on.
The customer can not only built up his personal history and
selection of likes, but also order things he tried but didn't buy
in the store.

Image courtesy OMA

Image courtesy OMA

Drawing courtesy OMAFirst Floor Plan

Drawing courtesy OMASecond Floor Plan

Drawing courtesy OMAThird Floor Plan
Facts about Prada Epicenter
Total area:
24,000 ft2
Retail space: 14,750 ft2
Architect:
Office for Metropolitan Architecture OMA-AMO
Partners-in-Charge:
Rem Koolhaas
Ole Scheeren
Project Architects:
Eric Chang
Jessica Rothschild
Amale Andraos
OMA Team:
Christian Bandi
Catarina Canas
David Moore
Mark Watanabe
Torsten Schroeder
Jocelyn Low
Keren Engelman
Ali Kops
Jeffrey Johnson
AMO Technology:
Markus Schaefer
Clemens Weisshaar
Reed Kram
AMO Content:
Nicolas Firket
Michael Rock
Joakim Dahlqvist
Reed Kram
Stephen Wang
Richard Wang
Sung Kim, Dan Michaelson
Leigh Devine
Executive Architect:
Brand+Allen Architects, San Francisco
Structure: Arup, Los Angeles
Client:
Fondazione Prada
Last updated: December 17, 2012
See also
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ExhibitionsFrank Gehry: At Work
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TravelHotels: Hôtel Americano
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