Design Hotel Great Eastern Hotel

The Victorian splendor of the original with a striking modern interpretation.

Photo: arcspace

The refurbished Great Eastern Hotel, located in the heart of London’s financial district, opened its doors in February, 2000.
The building, with its magnificent red brick facade and fine proportions, is a perfect example of Victorian public architecture, reflecting the romantic confidence of the era.
The new refurbishment by the Manser Practice, with interior and graphic design by Conran and Partners, revives the Victorian splendor of the original, but injects a strong spirit of modernity.

Photo: arcspace

The concept was for a shared “modern classic” vocabulary throughout the hotel, but at the same time to revel in its juxtaposition and complexity.
Careful restoration has been a significant part of the project as much of the building is listed.
The creation of the new lobby space involved the demolition of a listed 19th century room. Permission was granted on the understanding that the new interior included plaster mouldings as an integral part of the design. John Atkin was commissioned to produce the new mouldings which take their inspiration from locomotive parts, the hotel’s railway heritage.

Photo: arcspace

The hotel has 267 bedrooms, four restaurants, four bars, a gym, and 12 dining and event rooms. There are many classical features, including marble staircases, fine plaster work and moldings, and many elegant public rooms.

Photo: arcspace

Photo courtesy Great Eastern Hotel

Before the hotel reopened there was no way of walking from the east to west wing of the hotel without walking outside. The new scheme reconfigures the internal layout, creating a central axis around a six-story rotunda and guest elevator shaft.

Photo: arcspace

One of the signature spaces in the hotel is the Gallery, a soaring contemporary space filled with light. It is an amazing place for private parties or for hotel guests to meet.

Photo: arcspace

Each of the restaurants and bars is a distinctive entity; Terminus reinterprets the classic railway buffet, Fishmarket occupies a sea-green room beneath the gaze of plaster cherubs, Aurora is grand and beautiful, George is a Victorian take on a tudor, and Miyabi, designed by Conran and Partners, has an intimate minimalist atmosphere.

Set in one of the most magnificent rooms George epitomizes the late Victorian predilection for historical pastiche. With its oak panelled walls and panelled ceiling, it is one of the finest reproductions “Tudorbethan” interiors in London.

Photo: arcspace

Because of the restaurant Aurora being heavily listed the restoration of the dramatic interior, and its striking stained-glass dome, was done with meticulous care. Experts took paint scrapings to establish the original color scheme.

Photo: arcspace

The design of the restaurant Terminus, built in 1901, is based on the old fashioned railway station buffet, featuring an open kitchen and a black granite bar running the full length of the room.

Photo: arcspace

The Japanese Miyabi restaurant seats only 28. The minimalist design, by Conran and Partners, is complemented by discreet, ambient lighting.

Photo: arcspace

Though huge, it is an individual hotel where no two bedrooms are the same, reflecting the diversity of its heritage and structure. The rooms on the lower floors have higher ceilings and period features. All are fitted with with the latest state-of-the-art technology.
The rooms on the fifth and 6th floors of the hotel are new, extending into the domed copper roof. From one of the porthole windows there is a view of Norman Foster’s Swiss Re “Gherkin.”

Photo: arcspace

Artist and designer names are popping up all over; from the “You make My Heart Go Boom” neon sign in the lobby, by Frank B, to Patrick Coalfield prints, Nan Golden photographs, Eames, Crosier and Arne Jacobsen chairs, and flowers by Wild at Heart..to name a few.

Architects: Manser Practice
Interior and Graphic Design: Conran and Partners

Great Eastern Hotel

The Great Eastern Hotel Company is a joint venture between Conran Holdings and Wyndham International who acquired the hotel in 1997 and began the three year refurbishment and reconstruction program.

The original Great Eastern Hotel was developed in two stages for the Great Eastern Railway Company. The first section of the hotel was designed and built by Charles Barry and his son Charles Edward Barry, one of the great architectural dynasties of the 19th century, between 1879 and 1884. Colonel Robert Edis then extended the hotel between 1898 and 1901. Although the extension imitates the external style of the original building, Colonel Edis enjoyed a free rein with the new interiors indulging in baroque plaster work, late Elizabethan oak panelling, an an Egyptian Masonic Temple.....now a gym.

Walk around the corner from the hotel and visit Norman Fosters Swiss RE (the Gherkin) and Lloyds of London designed by Richard Rogers.

Photo: arcspace

photo: arcspace

If you need a color injection on a grey London day, take a train from next door Liverpool Street Station, the terminus of the Great Eastern Railway, the last of London's great mainline stations completed in 1874.

Get off at London Bridge and walk to Bermondsey Street to the Fashion and Textile Museum designed by Richardo Legorreta.

Photo: arcspace

Get back on the train to Deptford and walk to the Laban Dance Center, designed by Herzog & de Meuron.

Photo: arcspace

End the day in the new architecture gallery at the Victoria & Albert Museum that opened on the top floor of the museum on November 18, 2004.

January 3, 2004





		Travel		Features
		Design Hotel Great Eastern Hotel London, UK
		The Victorian splendor of the original with a striking modern interpretation. Photo: arcspace The refurbished Great Eastern Hotel, located in the heart of London’s financial district, opened its doors in February, 2000. The building, with its magnificent red brick facade and fine proportions, is a perfect example of Victorian public architecture, reflecting the romantic confidence of the era. The new refurbishment by the Manser Practice, with interior and graphic design by Conran and Partners, revives the Victorian splendor of the original, but injects a strong spirit of modernity. Photo: arcspace The concept was for a shared “modern classic” vocabulary throughout the hotel, but at the same time to revel in its juxtaposition and complexity. Careful restoration has been a significant part of the project as much of the building is listed. The creation of the new lobby space involved the demolition of a listed 19th century room. Permission was granted on the understanding that the new interior included plaster mouldings as an integral part of the design. John Atkin was commissioned to produce the new mouldings which take their inspiration from locomotive parts, the hotel’s railway heritage. Photo: arcspace Photo: arcspace The hotel has 267 bedrooms, four restaurants, four bars, a gym, and 12 dining and event rooms. There are many classical features, including marble staircases, fine plaster work and moldings, and many elegant public rooms. Photo: arcspace Photo courtesy Great Eastern Hotel Before the hotel reopened there was no way of walking from the east to west wing of the hotel without walking outside. The new scheme reconfigures the internal layout, creating a central axis around a six-story rotunda and guest elevator shaft. Photo: arcspace Photo: arcspace Photo: arcspace One of the signature spaces in the hotel is the Gallery, a soaring contemporary space filled with light. It is an amazing place for private parties or for hotel guests to meet. Photo: arcspace Photo: arcspace Photo: arcspace Each of the restaurants and bars is a distinctive entity; Terminus reinterprets the classic railway buffet, Fishmarket occupies a sea-green room beneath the gaze of plaster cherubs, Aurora is grand and beautiful, George is a Victorian take on a tudor, and Miyabi, designed by Conran and Partners, has an intimate minimalist atmosphere. Set in one of the most magnificent rooms George epitomizes the late Victorian predilection for historical pastiche. With its oak panelled walls and panelled ceiling, it is one of the finest reproductions “Tudorbethan” interiors in London. Photo: arcspace Because of the restaurant Aurora being heavily listed the restoration of the dramatic interior, and its striking stained-glass dome, was done with meticulous care. Experts took paint scrapings to establish the original color scheme. Photo: arcspace The design of the restaurant Terminus, built in 1901, is based on the old fashioned railway station buffet, featuring an open kitchen and a black granite bar running the full length of the room. Photo: arcspace The Japanese Miyabi restaurant seats only 28. The minimalist design, by Conran and Partners, is complemented by discreet, ambient lighting. Photo: arcspace Though huge, it is an individual hotel where no two bedrooms are the same, reflecting the diversity of its heritage and structure. The rooms on the lower floors have higher ceilings and period features. All are fitted with with the latest state-of-the-art technology. The rooms on the fifth and 6th floors of the hotel are new, extending into the domed copper roof. From one of the porthole windows there is a view of Norman Foster’s Swiss Re “Gherkin.” Photo: arcspace Artist and designer names are popping up all over; from the “You make My Heart Go Boom” neon sign in the lobby, by Frank B, to Patrick Coalfield prints, Nan Golden photographs, Eames, Crosier and Arne Jacobsen chairs, and flowers by Wild at Heart..to name a few. Architects: Manser Practice Interior and Graphic Design: Conran and Partners Great Eastern Hotel The Great Eastern Hotel Company is a joint venture between Conran Holdings and Wyndham International who acquired the hotel in 1997 and began the three year refurbishment and reconstruction program. The original Great Eastern Hotel was developed in two stages for the Great Eastern Railway Company. The first section of the hotel was designed and built by Charles Barry and his son Charles Edward Barry, one of the great architectural dynasties of the 19th century, between 1879 and 1884. Colonel Robert Edis then extended the hotel between 1898 and 1901. Although the extension imitates the external style of the original building, Colonel Edis enjoyed a free rein with the new interiors indulging in baroque plaster work, late Elizabethan oak panelling, an an Egyptian Masonic Temple.....now a gym. Walk around the corner from the hotel and visit Norman Fosters Swiss RE (the Gherkin) and Lloyds of London designed by Richard Rogers. Photo: arcspace photo: arcspace If you need a color injection on a grey London day, take a train from next door Liverpool Street Station, the terminus of the Great Eastern Railway, the last of London's great mainline stations completed in 1874. Get off at London Bridge and walk to Bermondsey Street to the Fashion and Textile Museum designed by Richardo Legorreta. Photo: arcspace Get back on the train to Deptford and walk to the Laban Dance Center, designed by Herzog & de Meuron. Photo: arcspace End the day in the new architecture gallery at the Victoria & Albert Museum that opened on the top floor of the museum on November 18, 2004. January 3, 2004